When new members join a musical theatre society, full of wide-eyed enthusiasm and ideas, they often ask the same question.
“Why are we doing Oklahoma! None of my friends have heard of it. Why don’t we do Wicked, or that new production of Frozen – we’d pack the audience in for those.”
At this point, the members of the society’s committee generally sigh and then gently explain the reality of amateur theatre to the innocent new member.
First, at any time, the range of shows available to amateurs is limited. If a professional production is being staged, or even being considered, the show will usually be restricted. For Abingdon, the problem is often greater, because we’re considered to be within the gravitational pull of London. This means that, if a professional producer is even heard whistling the overture of a particular show, it’s likely to be restricted. The same show may be available for an amateur production in Yorkshire, but in Abingdon it will be off the table.
Some shows are never released for amateur performance, even when they’re not being performed on the professional stage. These are the crown jewel shows, like Phantom of the Opera or Les Miserables, that aren’t generally keen on amateur interpretations. The rights holders will usually laugh scornfully if a society is silly enough to even enquire about them. Oddly, there’s often a children’s version of these shows that will be available for school productions.
A happy chorus
Another important consideration when selecting a show is the range of roles involved and the opportunity for the chorus to be on stage. There may be a great ‘box office’ show available, but if the cast involves four people for most of the show, it would not be a popular choice for the thirty members in the chorus. For a society like AOS, the members’ show fee is a vital part of the show income, so the bigger the cast the better. A show with a cast of four people will cost almost as much to stage as a show with 50 people, and this makes it an unlikely choice.
Will she fly?
Finally, it can be difficult to stage some shows on a budget. For example, Mary Poppins would be a lovely show to perform (if it was available for amateur performance), but the audience would rightly expect to see Mary fly in from the windy clouds and land on the Banks’ doorstep. This moment is truly magical on the West End stage, and even professional touring productions will have the necessary flying equipment, but for an amateur society it would add thousands to the show budget and so rule it out.
It’s not that there aren’t shows available. Amateur societies are constantly being contacted by rights holders offering amazing deals on shows that no one has ever heard about. Then it’s our turn to laugh scornfully. But in general, it’s the rule of supply and demand, with all the power in the hands of the rights holders.
Now, put on your cowboy hat and let’s get on with rehearsing Oklahoma!